now on view in NYC

Higher Love: The Psychedelic Roots of Modern Sexuality

“Psychedelics have been perhaps my greatest sex educator.”
— Annie Sprinkle

Since the acid-dropping experiments of therapists and sexual revolutionaries in the 1950s and 60s, sex and psychedelics have consistently been drawn together in Anglo-American and European culture, hailed as augmenters of experience, therapeutic tools, and even erotic interlocutors.

From the counterculture call to “turn on and tune in,” to the quest of the modern “psychonaut” for self-realization, psychoactive substances have been understood to transform body and mind. Yet, the drugs we now refer to as psychedelics have much more varied and complex historical intersections with sexuality than the standard story of Western sexual liberation might lead us to believe.

This exhibition draws on hidden histories and marginalized stories, oftentimes those of women, to illustrate how our understanding of sexuality in the 21st century has been transformed by the “altered states” brought about and inspired by psychedelic substances. In the wake of a major resurgence of psychedelic research, which has informed the loosening of legal prohibitions on psychedelics and an uptake in use, the time has come to tell new stories about the psychedelic future of sex.

Penny Slinger, Mother of Pearl (detail), 1976-77. Collage on Board. Courtesy of the artist/Juliana Huxtable, I know your little fast tail aint outside again, 2024. Acrylic, button and vinyl stickers on printed canvas. Courtesy of the Artist and Project Native Informant, London/ Jon Shard, The Haçienda, ca. 1990. Digital print. Courtesy of the artist/OZ Magazine, no. 30, 1970, Museum of Sex Collection.

Dr. Alex Dymock

Guest Curator Dr. Alex Dymock is a Senior Lecturer at Goldsmiths, University of London, in the Department of Law. She has undertaken several research projects on the intra-actions between drugs, bodies and sexuality, most recently an interview project on the ‘underground’ proliferation of psychedelics use in relation to sexual trauma. Before this, she led a wide-ranging project on the past, present and future of sex on drugs, which included extensive archival research on the relationship between the history of sexuality and psychedelics. Her work in this area has received funding from Wellcome Trust and British Academy, and has been published in journals such as Medical Humanities, The Sociological Review and International Journal of Drug Policy. She is currently completing a book which aims to reimagine the ethics of sex through experiments with intoxication.

CURATORIAL TEAM

Alex Dymock, Senior Lecturer, Goldsmiths, University of London
Amanda Assaf, Curatorial Research Manager
Arasay Vazquez, Exhibitions & Curatorial Projects Manager
Ariel Plotek, Chief Curator
Zoë Dubus, Post-Doctoral Fellow, University of Saskatchewan

CONTRIBUTORS

Annie Sprinkle
Benjamin Breen, Associate Professor of History at the University of California, Santa Cruz
Robert Janiger
Wendy Tucker, Board Chair, The Shulgin Foundation

EXHIBITION DESIGN

Eunice Yunjeong Lee, Exhibition Designer